#HAVE YOU EVER BEEN PUNCHED

[gianteyedcrow]

I fucking hate Slade so much please trust me when I say the second I sit down into the studio to start writing my Batfamily comic I’m going to work BACKWARDS from the plot point “and then THEY FUCKING KILL SLADE”

[improvapocalyps]

You have 90 minutes to complete. (original poem: r.a.)

In participation of the MCYT Recursive Exchange 2024 hosted by @mcytrecursive!

Inspired by know that all my love will be your breath (i will save you when your lights go out)

[text under cut]

1. Have you ever been in love? (Please circle your answer.) a. It's me and him b. Our hearts beat in sync c. Our lives intertwined

2. Do you understand what you’ve done? (Please circle your answer.) a. I couldn't do anything b. I lost my balance c. I doomed us both

3. It's been god knows how long since you felt phantom hands on your neck and there is no one in sight. If you were soul-bound to him and both of you died at the same time then why are you still waiting in the void? Please answer clearly, in full sentences. (Not a correct answer：I just wanted to see him one more time).

4. Define two (2)： Fate | The feeling of his forehead against yours Curse | The moment you realise he isn't linked to you anymore

5. True or False： i. It was your fault. ii. You wish you had met him under different circumstances. iii. You can’t regret a single moment that you had him. iv. You would do it all over again if you could. v. It ended long before either of you said anything.

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[iamespecter]

Do either Agnes or Caine pick up on Tagalog from Pauline?

They don't really usually hear Pauline full-on speaking in tagalog because there's no one else who could understand what she's saying (aside from their more intimate moments, where Pauline teaches them new tagalog words of endearment)...

... but there is the occasional casual swearing slip up, to which they would immediately ask what it means out of curiosity.

Of course, Zach (Jax) already knows a handful of the swears and insult in tagalog because Pauline (Pomni) calls him those casually, ESPECIALLY when he's up to no good.

[sluckythewizard]

YOU JUST HƎARD IT FROM [HIS MOUTH] FOR SURƎ!!!

[crimsonservbot]

gonna be honest, its incredibly demoralizing for going through transitioning if you can't even be Transgender on the Transgender Website

[recurring-polynya]

what is the best attack in bleach and why is it la muerte

[eri-pl]

One day I'll make* a chart of Silm characters with the axies being: "need a punch in the face** and a redemption arc <-> did nothing wrong" and "boring (or undescribed) <-> I am very normal about them". The corners would be ...probably Ulfang, unless I can think of a more boring villain; Melkor|Morgoth|Idiot#1 ; Tuor, probably (or someone more niche) ; can't decide between Elrond or Finrod ... no, I would probably put Nienna there. But those are quite uneven corners tbh. (and Thingol quite likely may end up as the zero point ie the center)

[that-one-scorpia-kinnie]

"Catra got forgiven way too easily and didn't face any consequences for her actions!!"

Hunny she fucking died what more do you want from her?

[nobodymitskigabriel]

I know I play Loki defender because it's fun and also very important to me that we understand that Gabriel is not a substantially better person than Loki is and I don't think we're necessarily supposed to side with Loki during the hallway scene but there's definitely supposed to be some resonance there, at least for Gabriel. But the main thing that doesn't hit for me is Loki accusing Gabriel of being the pot calling the kettle black but doing it in the most pot calling the kettle black way possible. Like maybe it would have been different if Gabriel had come in and buried Loki in accusations about the kind of person he is but all he wanted was revenge and it's honestly kind of weak of Loki to act like Gabriel had no grounds to be upset with him lmao.

[redysetdare]

listen when we say we need aroace rep - we MEAN we need AROACE REP. becuze shock of all shocks, a character being just ACE is not aroace rep! same with a character being just aro is not aroace rep. not all aroace ppl see their aro and ace identities as separate.

I for one, find it difficult to separate my aro and ace identities from each other which is why i am AROACE and not aro and ace. A character being only ace is not representing me. I do not feel represented by only an ace character. they are not even half representing me because my asexuality goes hand in hand with my aromantisism. and Ace character is not half representing aroace people. I'm sorry but i do not relate to the alloace experience because i am not alloace. so a character being only ace is not relatable to me because they are not aroace. the same goes for if a character was only aro or aroallo.

Now before anyone decides to misinterpret this post to hell and back I'm not saying that aroallo or alloace rep is bad or shouldn't exist. I'm saying stop throwing aroace rep under the bus because "Actually we need more just aro/just ace rep" as if that somehow solves the issue of aroace rep being nonexistent.

[softpine]

This might be juvenile, but do you have any tips on not comparing yourself to others? (Especially when it comes to note count or popularity.) I’ve been posting a story for over a year and it hardly gets any traction. It’s tough for me to see new creators post and get hundreds or even thousands of notes. I hate that I’m doing this but don’t know how to quit it!

this is not juvenile!! i struggle with this myself, especially knowing that i hit my peak years ago and i've been on the decline ever since – but only by numbers alone! i'm more proud of my story than i've ever been, i'm more attached to my characters, i'm putting more love and thought into everything, but i had to be realistic with myself and understand that i'll never pull even half the notes i did in 2020. gone are the days when i would wake up to 3 new anons about my story and dms from people every day (i can't believe i used to get overwhelmed by it...) and i would be lying if i said it didn't make me sad sometimes, because we're humans and our brains are practically wired to crave the hit of happy chemicals you get from seeing the stupid number go up 😭 it does feel demotivating. it makes me feel less urgency to post quicker if i convince myself that no one is waiting for me anyway, which means i post less, which means even less people stick around, which makes me post less, and on and on. it's a tough thing for me to come to terms with in all honesty.

but it helps to remember that i would be writing even if no one is reading. and i know that, because i have! i've written entire novel-length fics that i've never published, i've written countless short stories in the frozen pines universe that i'll never post, i've created alternate universes that will never be shown, etc. i do it because the idea is in my head and it needs to Get Out and i'm kinda just a conduit for that. that might not apply to you, and that's okay! everyone is different. the important thing is to really sit down and think about WHY you write and what you get out of it. which part of the process makes you happiest? what makes you feel a sense of fulfillment / satisfaction? play to your strengths. try not to spend your time doing things you think other people will enjoy and instead, spend more time on the things that make you happy. for me, i haaaaate editing and i always have, so lately i've been trying to speed through it a little bit quicker even if it means the final product won't be as appealing to others. (this is still a work in progress for me...) i have more fun when i experiment with different writing styles, which might not appeal to others because it takes longer and i don't really have a recognizable style, but i don't care anymore because i'm having fun! ask yourself what YOU want from your story, and then write for yourself and only yourself.

essentially what i'm saying is: there will ALWAYS be people more popular than you, and there's no guarantee that when you find the popularity you seek, you'll be able to keep it. so you need to find some sort of intrinsic motivation to continue or you'll just keep comparing yourself to others forever and you'll deny yourself the joy of creation! "comparison is the thief of joy" could not be more true!!

[afterlife-2004]

Reminds me of “The World Was Wide Enough”, a song from the musical, Hamilton!

[gingermintpepper]

On that trojan war au thing you're writing. 1. What are the tags for it, cause I'm super interested! And would love to read what you have so far! 2. "And Odysseus is a much grimmer darker man due to his home being one of the places that were first swallowed up by Erebus" - I wanna know more about this. Please tell me more.

Oh , wow, I'm so flattered! I'm very happy it sounds appealing to you <33 This work is a huge passion project of mine so I'm always glad to talk more and more about it, especially since there are many aspects occurring in the background (such as the alternate fates of the main players of the Trojan Conflict) which I cannot properly cover or even explain within the events of the novel itself.

That said: 1) If you mean tags as in ao3 - unfortunately, this work isn't on ao3 my friend :( As I said above, these are elements and concepts in the greek mythology based-fantasy novel I'm currently writing (the concept of which I outlined here in the introductory post of my novel concept!) As for wanting to read whatever writing I currently have available: I currently have three fics available on ao3 that are written in my Pursuing Daybreak verse!

The Prince and Princess series deal with a young Apollo and Artemis and the many consequences they face after Apollo has slain Python. The two works uploaded right now are Exeunt Phoebus Apollo which covers the murder trial of Python and Manent Apanchomene Artemis which covers the intense feelings of helplessness and alienation Artemis experiences after Apollo returns from his banishment and is completely changed. Both of these have themes of family, grief and relationship exploration at their heart.

The third bit of writing I have up is quite outdated but does cover the immediate aftermath of Hyacinthus' death. It's called A Petal Falleth and features Apollo making one of those Big Silly Decisions that have completely unintended but extremely important consequences: namely, instead of the larkspurs being made of Hyacinthus' spilt blood, Apollo anchors the boy's soul to the flowers so Thanatos wouldn't take him. Like the Dawn is also set in this world but because it is nsfw in nature, I wouldn't recommend it as easily as the other three bits of writing. If you don't mind the whole naked men thing though, I'd definitely suggest reading Like the Dawn for a better idea of what my current writing is like (along with eventually getting to see characters like Hector, Andromache and Cassandra/Helenus) Like the Dawn's themes are also different to the other three works with it focusing more on the power dynamics of a god/mortal relationship, exploring masculinity and masculine sexuality and self discovery.

The running theme here, of course, is that all of these bits of writing are centered on Apollo/Artemis or Hyacinth because my novel itself is centered around them. There are, of course, other important characters and figures like Eros, Psyche, Penthesilea and Iaso (one of Asclepius' daughters) but while there is the definite presence of characters from the Trojan War they most certainly aren't at the center of the novel (and the ones that are aren't the Greeks but rather the Trojans i.e Hector, Alexander, Andromache, Cassandra, Helenus, Aeneas, so on and so forth.)

2) The basis of the apocalypse in my work is cosmological! Due to Apollo's err-- untimely departure, there's no longer anyone maintaining the axis of the heavens or the navel of the earth. Because of this, Erebus - whose darkness is usually kept firmly in the spaces between the realms - begins to spill out into both the heavens and the earth. The beasts of Erebus (referring primarily to the Seven Curses - Old Age, Misery, Deceit, Violence etc etc) consume, torment and destroy whatever is inside of Erebus' darkness and Ithaca, as one of the islands on the far edge of the world, was one of the very first places that were devoured in this manner. Odysseus was visiting the Argives at the time for a festival and had left the pregnant Penelope at home since he didn't want her to suffer through the voyage in discomfort. He only finds out about the destruction of Ithaca after it had already been consumed when Athena personally interrupts a feast to warn both him and Diomedes. Needless to say, Odysseus, like everyone else, assumes that everyone on Ithaca has died and thusly is a very, very different man in terms of humour and comport. A part of him still stubbornly clings to the belief that Penelope managed to escape - that she was smart and resourceful enough to see the end approaching and do her best to escape - but that doesn't stop him from being dour for the majority of the time. Diomedes does his best to keep his spirits up in the meantime. Without him around, Odysseus is something of a black hole when it comes to the oppressiveness of his discontent though he does manage to lighten up when in the company of Helen, Clytemnestra and even Menelaus on occasion.

[softquietsteadylove]

I know you said you don’t love writing thenamesh as actual biological parents (totally respect that and agree, I especially agree that Thena probably wouldn’t be the most willing mother (although I live and die for TMTL AU)) ANYWAY! would you possibly be interesting in writing something where Thenamesh accidentally stumble into parenthood without meaning to?? Maybe a little orphan child in ancient times won’t leave them alone and they end up raising them? (probably begrudgingly on Thena’s part to begin with but she’s a secret softie especially when Gil is smitten and we all know it). No worries if you don’t wanna write something like that, just something I was thinking about!

Thena sighed, "I know you're there."

She didn't receive a reply, and she knew she wouldn't. She stood from where she had been - entirely against her wishes but at Ajak's behest - reviewing some of the senate's requests. The various war orders and border reports were draining her.

She stepped down towards the door of the room, the skirts of her white toga trailing behind her. She spoke again, "orphan."

He responded to more than that, of course. Sersi thought it was cruel of her to address a child that way, but he responded to it. A small head of blonde peeked out from behind one of the larger vases.

"What are you doing here?" she asked him with an expectant tone. She raised her chin to further look down upon the boy, "you know better than to enter the temple of Athena without permission."

Usually, she was loath to bring up the title of Athena in any way. But if she need be stuck with it, she could make use of it.

The boy shuffled out, his hands clasped in front of the brown burlap of his tunic. "I was looking for Gilgamesh."

The boy was positively enchanted by her Champion. Plenty were, of course, but this boy idolised Gilgamesh and the very ground upon which he walked. And Gil was equally charmed by the small child. She thought he entertained his obsession entirely too much.

But the boy enjoyed trailing behind Gilgamesh when he was walking between the forge and the acropolis, or watching him train fighters in the arenas, or even when he was in the orchards gathering fruit.

"Why do you think he is here?" Thena fixed her eyes on the boy. Most grown men would be sensible enough to cower, but the child stepped even closer to her.

He glanced behind him a few times.

Thena let out another breath. She was not a caretaker, she had no business with the boy steps away from clinging to her. But she unfolded her arms and knelt down to see him better. Children's heads were so small. "Speak."

"The guards," the child twisted his lips. "They tell me not to bother the gods."

They also were no gods of old, at least not how Athens imagined them to be. But Thena had no qualms letting them think that if it meant them keeping their distance, either.

"And if they are correct to tell you these things?" she raised her eyebrows. But the boy shuffled even closer to her. She sighed, "what did you do?"

This child was no angel, just like they were no gods. He liked getting into trouble, challenging those twice his size, proclaiming that he would be a fierce warrior someday. And sometimes that 'challenge' was him running up to someone and whacking them with his only possession: a toy sword, fashioned from wood (clumsily, by his own hand).

"They were being cruel," he spoke in defense of himself. His hands left his tunic to clench into tiny little righteous fists. "They were laughing at old man Socrates! One even threw his apple at him!"

Thena felt her hackles raise. She had no business policing humans; they were of no concern to her. But what did bother her was senseless cruelty to those more vulnerable than the strong. "And you decided to do something about this."

The boy's small shoulders fell again, though. "I told them I challenged them to a duel."

Thena tilted her head. His tunic was still fastened above his trousers with a rope, but there was no toy sword. "Where is-"

He sniffled, trying not to let his tears fall, "they took it and broke it in half."

That was why he had run to her. Well, he had been seeking Gilgamesh's comfort, foremost. But he had also known that if the authorities of Athens were the ones committing an injustice, only the gods would correct them.

Thena frowned at the child's tears dropping onto the stone floor. He wasn't her child; he was no one's. He was, like many others, a result of the many wars Athens had waged before, and were attempting to continue waging. It was exactly that which she was opposing, despite her title as their figurehead for war.

Footsteps approached, heavily and loudly. The boy nearly leapt in fear and scurried to hide himself behind her, even tugging at her dress like a tapestry to hide his feet.

She glanced somewhat over her shoulder in the direction of the little head of blonde hair, getting tears and snot all over her pure white robes.

"Goddess Athena!" the guards greeted her before all else. Their heavy armour and leather skirts made sound with every breath they took. "Forgive our intrusion."

She said nothing.

"We were pursuing a street urchin, and we fear he may have run in here." The captain of their group stepped forward, the adornment on his helmet distinguishing him from the others. "We wish not to disturb you. But we cannot let a stray mutt wander into the hall of gods."

Thena looked at each of them. She owed them no words, and they had no right to ask them. Her lips twitched. "You have a splinter."

The guard seemed embarrassed, rubbing at his arm. "Forgive me, O-Warrior. I was struck with a splintering old board."

A child's toy, now no doubt sitting broken in the streets. Thena looked at the others. "Which of you ate the apple?"

They looked between themselves, confused. "My Lady?"

"One of you was eating an apple," she continued, raising her empty palm. They knew what that meant, stepping back. "And threw it at a harmless old philosopher."

Their faces went pale. It brought some joy to her, but she kept her face even. Their fear was the best part of her day. Rather than deny the wisdom of the Goddess of War, they knelt. "We beg your forgiveness, great Athena."

She drew back, her blade in her hand in a second. She took a harmless swipe over their heads, although the tops of their helmets fell unceremoniously to her floor like feathers from a startled bird.

The men trembled.

Satisfied that her message was received, she retracted her powers like a cat closing its paws. "Be gone from my sight."

The men obeyed, scurrying away, abandoning the remains of their rank, leaving them to explain what had happened to their uniform. If she ever did see them again, she would not be so kind as to let them go with their dignity.

"They will not bother you again," she said more quietly. The boy was strong; he had stopped trembling. And he had, at the very least, the wisdom to let her face his multiple foes.

He sniffled one last time before stepping away from her protection. "They always do, eventually."

Then next time, she would have them begging her for their lives. She kept her eyes looking out the door as she patted the boy's head. She wouldn't have been able to read the expression on his face regardless. "Gilgamesh should be done in the forge by now. He may even take you to the great hall. I believe they are making the baklava today."

The child's eyes lit at the promise of sweets. "Can I have some?"

She did her best not to smile, lest she encourage his youthful impertinence. But she may not have been entirely capable of suppressing it. "Tell them Athena herself demands it."

The boy didn't even look twice at her, running towards the door and nearly slipping in his old, worn sandals.

"Heracles," she called after him. He turned at the sound of his name. "Return with Gilgamesh. We will show you how to strike someone properly."

The boy beamed. His cheeks were ruddy and his teeth were small and uneven, and yet they fit his cherubic face. "Yes, Thena!"

He had heard Gil address her casually too often. If he called her that, what if others thought it acceptable? But she couldn't bring herself to be angry with the boy. It was far too difficult to hold a grudge against something so sweet and innocent.

Technically, the senate decrees still needed seeing to. But she had more important things to think about. And before young Heracles returned with Gilgamesh in hand, she had some whittling to do. She wasn't Phastos, or Sersi, by any means, but even she could carve a sword out of some spare wood.

[longagoitwastuesday]

Kusakabe, dear, you're too beautiful to be saying that kind of stuff

[carnivalcarriondiscarded]

not to out myself on main but Katsuki Bakugo continues to make me fucking insane